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L.A. Confidential (1997, Curtis Hanson)
I haven’t seen L.A. Confidential since 1998 or so, whenever the laserdisc came out. Before the film came out–I saw it in the theaters of course, being a big Russell Crowe fan back then–I read James...
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Superman Returns (2006, Bryan Singer)
My expectations for Superman Returns were incredibly high (especially since everything Bryan Singer’s done since The Usual Suspects with the exception of the “House” pilot has been dreck). Three stars....
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The Usual Suspects (1995, Bryan Singer)
Seeing as how The Usual Suspects popularized the major twist ending–that contrivance having now plagued American cinema for the last dozen years–it’s interesting to see it again. I haven’t seen the...
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The Men Who Stare at Goats (2009, Grant Heslov)
The Men Who Stare at Goats, as a film about men–their relationships with each other, in an Iron John sort of way–comes up lacking. There really isn’t any personality in the friendship between Ewan...
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Moon (2009, Duncan Jones)
Moon is quite good. Moon’s not the most impossible film to talk about without spoiling… but some of its goodness is wrapped up in its plot developments. The viewer should get to enjoy Moon without...
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Horrible Bosses (2011, Seth Gordon), the extended cut
It would have been nice if one of the three credited screenwriter of Horrible Bosses thought enough to write characters for the protagonists. Instead, the script–and director Gordon–rely on the “charm”...
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Working Girl (1988, Mike Nichols)
Towards the end of Working Girl, the film seems to jump around a bit with the timeline. It seems to jump ahead, but then it turns out it doesn’t. And it only seems to jump ahead because of how director...
View ArticleClik here to view.
Moon (2009, Duncan Jones)
Moon is quite good. Moon’s not the most impossible film to talk about without spoiling… but some of its goodness is wrapped up in its plot developments. The viewer should get to enjoy Moon without...
View ArticleClik here to view.
Horrible Bosses (2011, Seth Gordon), the extended cut
It would have been nice if one of the three credited screenwriter of Horrible Bosses thought enough to write characters for the protagonists. Instead, the script–and director Gordon–rely on the “charm”...
View ArticleClik here to view.
Seven (1995, David Fincher)
Seven is a gorgeous film. It’s often a really stupid film, but it’s a gorgeous film. Even when it’s being stupid, it’s usually gorgeous. Director Fincher has a beautiful precision to his composition;...
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Glengarry Glen Ross (1992, James Foley)
The first half of Glengarry Glen Ross is phenomenal. David Mamet’s screenplay is lightning fast during this section, moving its characters around, pairing them off for scenes or moments–the brevity is...
View ArticleClik here to view.
Moon (2009, Duncan Jones)
Moon is quite good. Moon’s not the most impossible film to talk about without spoiling… but some of its goodness is wrapped up in its plot developments. The viewer should get to enjoy Moon without...
View ArticleClik here to view.
Horrible Bosses (2011, Seth Gordon), the extended cut
It would have been nice if one of the three credited screenwriter of Horrible Bosses thought enough to write characters for the protagonists. Instead, the script–and director Gordon–rely on the “charm”...
View ArticleClik here to view.
Working Girl (1988, Mike Nichols)
Towards the end of Working Girl, the film seems to jump around a bit with the timeline. It seems to jump ahead, but then it turns out it doesn’t. And it only seems to jump ahead because of how director...
View ArticleSeven (1995, David Fincher)
Seven is a gorgeous film. It’s often a really stupid film, but it’s a gorgeous film. Even when it’s being stupid, it’s usually gorgeous. Director Fincher has a beautiful precision to his composition;...
View ArticleClik here to view.
Glengarry Glen Ross (1992, James Foley)
The first half of Glengarry Glen Ross is phenomenal. David Mamet’s screenplay is lightning fast during this section, moving its characters around, pairing them off for scenes or moments–the brevity is...
View ArticleThe Ref (1994, Ted Demme)
Every once in a while, The Ref lets you forget it’s just a comedy vehicle for stand-up comic Denis Leary and so doesn’t need to actually be a good drama and just lets you enjoy the acting. Demme’s...
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